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BlendIf is one of the most powerful tools in Photoshop. It allows you to quickly and easily make adjustments specific to highlights, shadows or midtones. But these are just a few ideas you can apply to your own work. You might use BlendIf to help lighten shadows, color gradeapply a Nik filter to highlights, target specific colors to enhance sunsetincrease midtone contrast, etc.
There are endless scenarios where targeting your adjustment by tone or color using BlendIf can greatly improve your image. Lumenzia includes several tools to help create, visualize, and refine BlendIf. A general workflow may include the following steps:. Star trails can be a powerful way to compliment and accentuate a subject. In this image, they not only draw your attention towards the a moonlit focal point, they also echo нажмите чтобы перейти shape of the surrounding arches to help tie everything together.
You can capture such a scene with a nik software color efex pro v3 0 free long exposure, but you can often get a better image or simplify processing by taking a serious of short exposures to blend together. There are several benefits to shooting star trails as a stack of short exposures rather than a single long nik software color efex pro v3 0 free, including:. After I finished the video, I did the following to create the final image:. Instead of using Photoshop to combine the stars, you may consider using StarStax.
This software is free and designed specifically for stacking stars. I nik software color efex pro v3 0 free tend to use Photoshop over StarStax as neither truly eliminates the gaps and I can manage everything in one place. When you need high ISO to capture indoor or night scenes like this, your image will suffer from noise and a loss of detail.
Be nik software color efex pro v3 0 free to read the full tutorial below, as I go into nik software color efex pro v3 0 free detail than I cover in the video. There are generally two approaches you can use for reducing noise. You can reduce it right away in the Перейти на страницу or subsequently on the processed image but before resizing, adding sharpening, or making other changes that de-noising software is not designed жмите anticipate.
Between these approaches, I have a strong preference for removing the noise in the RAW. This is not only a much more flexible and non-destructive workflow but often leads to better results. There are a number cinemagraph pro mask not working free complex interactions that can make reducing noise later a problem. Even just increasing the shadow slider in RAW before separate application of noise reduction outside the RAW can create inferior results.
With those two workflows and various goals in mind, there are several noise reduction tools you might consider. However, the filter approach means по ссылке can use the same tool for either workflow.
The results are generally very good and this is my tool of choice for a large percentage of my images given simplicity, flexibility, and good results. If the image was shot at ISO or lower, this is nearly always the approach I use. See this tutorial for more details on how to get the most out of these tools. However, for critical images or challenging noise, I also use other tools to help get optimal results.
This new DNG file retains all of the flexibility of your RAW data, but is enhanced to remove noise, improve detail, and can correct lens distortion. It can also extract much more star detail, though I find the results can appear to have artifacts tails on the stars and it probably does too good of a job, with my preference for leaving lesser stars less prominent. So I like using this result on the foreground and may use the original sky or some blend of the original and DXO sky.
DXO now supports a choice of workflows. You can always open your original image nik software color efex pro v3 0 free the standalone app. The software will preserve any slider values embedded in the image ignores anything in a sidecar XMP file. Hopefully a future update will address this so that the output matches your source in LR every time. But if you use side nik software color efex pro v3 0 free files, you should expect to copy and paste your settings if you started editing before using DXO.
They are almost never perfect, but frequently very helpful when you add a few simple steps to your workflow. Just use layer masks or opacity to nik software color efex pro v3 0 free the AI results into your original will often yield better or faster results.
It does an excellent job, but the посетить страницу источник to mix with the original посетить страницу fix any artifacts or color issues is more important. There is some confusion on the topic and you might think this means you may get improved highlight recovery.
That is not the case. What is blown out in the original will remain blown out in the DXO layer. Ссылка на продолжение is just a high quality file format that you can use like any other RAW with improvements in noise and detail based on what was captured in the original.
It offers a much greater range of options in general, with DeepPrime specifically offering luminance and dead pixel sliders for more control over those features. Other corrections like vignetting are split out and lens sharpness offers more detailed controls. The interface is extremely easy to use. It also does not let you lighten dark shadows in the RAW, making it hard to choose optimal settings.
Because of this, I find that the current design does not adequately support the RAW workflow. That said, it is still best to use this before applying clarity, texture, sharpening, etc and that does limit its use for me a bit.
Note: As of v3. Deleting the filter and recreating is a workaround when this happens. Neat Image holds a special place pixelmator free my heart as the first program I used well over a decade ago to get great results. The interface is much more complicated and probably увидеть больше to most users. So it does not support the RAW workflow I like to use. It also does not work as a Smart Filter on a Smart Object, so it does not support the other workflow I recommend.
I am personally of the opinion nik software color efex pro v3 0 free it is better in some ways and worse in some ways and ultimately not really better or worse across a large number of images. I find that this flexibility allows me to do my best work, which ultimately gives me a better image and with less hassle given the flexibility of the workflow.
Starry Landscape Stacker uses a completely different workflow specific to reducing noise in starry night sky images like the Milky Way. Instead of improving your RAW or processed image, it lets you combine multiple images to reduce noise. This is often like shooting at ISO or instead of It rotates the sky image to align multiple exposures, which is the digital equivalent of using a star tracker. You can also combine the use of this technique with the others above to push the results further.
I have purchased all the software referenced above and only endorse tools I personally use nik software color efex pro v3 0 free recommend. If you purchase through these links, a small percentage of the sale will be used to help fund the content on this site, but the price you pay remains the same.
Please see my ethics statement if you have any questions. Just email me if you qualify prior purchases count toward this offer. A 40MPH wind storm was generating substantial clouds from these how to uninstall vmware fusion 8.5 on mac free dunes. The amount of fine dust in the air was unreal. I changed lenses from inside my car and taped a plastic bag around my camera to avoid ruining it.
There was so much dust in my ears by the end of the shoot that I was still cleaning them out 3 days later. The visibility was rather poor, as you can see from the distant mountains just barely peaking out of the dust clouds, so I chose a wide angle lens to help capture clear details in the foreground to compare to the blowing sand.
This is where enhancing the sense of sunlight in post helped truly bring the image to life. The key here was to generate a sense of sunlight and then reveal the glowing air with a radial gradient and across the sand highlights using a midtones luminosity mask. Gradients are a great way to help адрес страницы anything that looks like sunlight or some other light source. However, getting the perfect gradient can be a little finicky.
When you need an oval-shaped gradient mask, the following workflow will help you get perfect results quickly and easily:. The key adjustment in this edit was to push the yellow hue towards green and reduce its saturation to match.
Once the forest was a more uniform saturation, we could then boost it across all the tree and add some contrast to give the image more life. Luminosity masks were helpful at several points to help isolate the adjustments:. Download the FREE luminosity masking panel ». Or, simplify luminosity masking with Lumenzia :. See the store page for Lumenzia and course info.
Join my affiliate program. See my ethics and privacy statement. Greg Benz Photography. Create clean star trails July 19, Recover Noisy Shadow Detail June 21, Adding atmosphere to a sandstorm June 7, Simplifying color for stronger images May 24, Luminosity masking:. Facebook-f Youtube Instagram Twitter.
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